Beatricia creates ceramics inspired by the act of making high quality pieces that need to come into existence. Ideas are drawn to her to be realised and she will not stop until a piece is completed. If it appears in her mind, it demands to exist. Each piece carries the soul of its own journey. In the modern age, this process of focused creation until completion is inspiring. 

She grew up as the eldest of four children during a time of occupation, in Lithuania. Her determination and resilience focused her skill into talent, opening doors to scholarships for art education. Through her love of seeing others meet their own creativity she became an art teacher to compliment her own art practice.

She desired to become a fashion designer, through a journey of self development she has maintained a strong connection to clay. Each time she meets this material, either by itself or with other materials such as stone, wood, metal, she fuses the power of imagination and the versatility of her hands as tools into works that live outside of style and external influences.

Beatricia works only with her hands, no molds, no shortcuts. Each piece of artwork is entirely unique, made with intention, even when integrating other natural materials, each piece is made slightly different, this ensures that each piece is personal to the person who takes it home. She believes art should be accessible, but never disposable. When objects are repeated endlessly through mass production, they lose their soul, and to her, that’s a loss too great to accept.

Her creative path has never been linear, but it has always been her own, finding her voice across many disciplines and combines inspiration from her experiences in furniture design, wedding decoration and being a seamstress into pieces that blend the sharp, clean lines of geometric esthetics with natural fluid shapes that evoke the essence of passionate fabric draping. She draws from the legacy of cubism, modernism, art deco—movements that speak of bold form and deep clarity. But above all, it’s the quality and technique that matter to her. She says: “It’s not about the style. It’s about the making.”